52 Films By Women 2018 ~ January, February & March

Last year I wrote about how I was trying to watch 52 films by women in 2017. I didn’t manage 52; I didn’t even manage half, finishing on 23 films that were either directed or written by women. That’s disappointing, not only because I didn’t manage to complete my goal, but also given that I watched 89 new-to-me films last year (which are the only ones I’m counting), really highlights the lack of opportunities women are given as opposed to men.

But I’m trying again in 2018, and this year, I’m even more determined to do it. Here’s what I managed in the first three months of the year.


Their Finest – Directed by Lone Scherfig, written by Gaby Chiappe

The Greatest Showman – Co-written by Jenny Bicks

Unexpected – Directed and written by Kris Swanberg

The Post – Co-written by Liz Hannah

Blackfish – Directed and written by Gabriela Cowperthwaite


The Big Sick – Co-written by Emily V. Gordon

Lady Bird – Directed and written by Greta Gerwig

Morvern Callar – Directed by Lynne Ramsey, written by Liana Dognini and Lynne Ramsey

My Feral Heart – Directed by Jane Gull

Montana – Written and directed by Limor Shmila

I’m really pleased with this run – I’m not exactly on track for 52 at the moment, but I’m getting there, and I’m just happy that I’m forcing myself to find more films that have women behind the scenes. Send me any recommendations you have for female-directed or written films!

52 Films By Women

This is the first year in a while that I haven’t set myself a target number of films to watch. It’s mainly because I was so lax around my new year blog posts, but also a little bit because sometimes it’s nice to take a break and do something a little bit different.

With that in mind, I thought this would be a good year to try the 52 Films by Women challenge. It’s been a thing for a while, and Letterboxd, where I log all of my films these days, has a lot of users who have done it before, and those who are doing it this year.

It’s quite a simple idea; it just means that for each week of the year, you watch a film by a female director. Actually, until writing this post, I had taken it to mean directed or written, which is how I’ve been playing it up until now. I will try and stick to directors for the most part, but I’m also going to continue to count writers.

Women are hugely under-represented in the film industry, and women of any colour other than white even more so. I think it’s important to strive for diversity, and the only way you can get the film industry to make anything different is to watch the films that do try something different.

We’re currently in week 16 of the year, and I’m only on ten films, so I’m a bit behind on my goal of one a week, but I’m determined to get there! Here’s what I’ve watched so far:

52 women 1

The Intervention – Written and directed by Clea DuVall
The Meddler – Written and directed by Lorene Scafaria
The To Do List – Written and directed by Maggie Carey

52 women 2

Friends With Kids – Written and directed by Jennifer Westfeldt
Country Strong – Written and directed by Shana Feste
The Love Letter – Written by Maria Maggenti
Hidden Figures – Co-written by Allison Schroeder

52 women 3

Adult Life Skills – Written and directed by Rachel Tunnard
Free Fire – Co-written by Amy Jump
Fifty Shades of Grey – Directed by Sam Taylor Johnson, written by Kelly Marcel

Have you watched any female directed/written films recently? Send me your recommendations!

February 2016 ~ Films

January 2016

I’m very behind with my end of month posts for February! But here’s my roundup of the films I saw, I’m trying something slightly different this time.

What Richard Did
Director – Lenny Abrahamson | Writer – Malcolm Campbell | Jack Reynor, Roisin Murphy, Lars Mikkelsen {{Television}}

An emotional drama that is slow to build to a crescendo, but packs a powerful punch when it does. Great performances from a young cast whose assured direction from Lenny Abrahamson produces a memorable film that has stayed with me in the weeks since I watched it.

Director – Tom McCarthy | Writer – Tom McCarthy, Josh Singer | Mark Ruffalo, Michael Keaton, Rachel McAdams {{Cinema}}

This is a gripping film, focused on the real life events about the Boston Globe’s investigation into the abuse of children at the hands of catholic priests. Thoroughly deserving of its recent Oscar win for best film, it’s my favourite film of 2016 so far, with, for me, a standout performance by Liev Schreiber, whose quiet determination shines against more exuberant performances by the likes of Mark Ruffalo.

Director – Céline Sciamma | Writer – Céline Sciamma | Karidja Touré, Assa Sylla, Lindsay Karamoh, Mariétou Touré {{Amazon Video}}

Having only previously seen a short clip – of four young French girls dancing and lip syncing to Diamonds by Rihanna – my interest was thoroughly piqued by Girlhood, and I was not disappointed. Marieme is a young woman who, when her academic options are curtailed, finds herself seeking solace with a gang of girls. Karidja Touré is a wonder as Marieme, and that Rihanna scene is quite simply perfect.

You Will Meet a Tall Dark Stranger
Director – Woody Allen | Writer – Woody Allen | Anthony Hopkins, Gemma Jones, Naomi Watts {{Amazon Video}}

I’ve watched a lot of Allen films so far this year, but this one has already passed from my memory. Set in London, the narrative focuses on a single family, recently separated Anthony Hopkins and Gemma Jones, and their daughter and her husband, Naomi Watts and Josh Brolin. Unfortunately, it’s just totally unremarkable, though I always enjoy Lucy Punch, no matter what she’s doing.

Dad’s Army
Director – Oliver Parker | Writer – Hamish McColl | Toby Jones, Bill Nighy, Catherine Zeta-Jones {{Cinema}}

There’s no doubt that in my mind that this, a film based on the much-loved sitcom from the 60s and 70s, was made with love, rather than a cynical cash-grab. But it just doesn’t really work for me; it’s not that funny, the story meanders all over the place, and its only saving grace is the genius of Toby Jones in everything he does, and the swoon-worthy sophistication of Bill Nighy.

Director – Ben Stiller | Writer – Drake Sather, Ben Stiller, John Hamburg | Ben Stiller, Owen Wilson, Christine Taylor {{Netflix}}

It’s time for me to accept that I shouldn’t watch comedies just because they are considered funny by the rest of the world at large. I didn’t laugh once at Zoolander; I’m sure that a story about a male model being brainwashed to assassinate a world leader is funny, I just didn’t get it.

Pride and Prejudice and Zombies
Director – Burr Steers | Writer – Burr Steers | Lily James, Sam Riley, Jack Huston {{Cinema}}

This is a silly film, there’s no doubt about it. I doesn’t take itself particularly seriously, and ultimately, it is a lot of nonsense. But I can’t pretend I didn’t have fun watching it. In all honesty, I will watch Pride and Prejudice in just about any form, because it makes me laugh, and I love Elizabeth Bennet.

The Revenant
Director – Alejandro G. Inarritu | Writer – Mark L. Smith, Alejandro G. Inarritu | Leonardo Di Caprio, Tom Hardy, Domhnall Gleeson {{Cinema}}

Hugh Glass, played by Leonardo Di Caprio, is left for dead after he is mauled by a bear. The Revenant follows his journey across the wilderness as he fights for survival. There’s no better word to describe this film than ‘visceral’. It pulls no punches, and the stunning cinematography makes it a joy to watch.

Melinda and Melinda
Director – Woody Allen | Writer – Woody Allen | Radha Mitchell, Chloë Sevigny, Jonny Lee Miller {{Amazon Video}}

A debate between two intellectuals about comedy vs tragedy gives us the dual stories of Melinda, played by Radha Mitchell. In one narrative her unravelling life and neuroses play out tragically, while in the other, she plays them to her advantage, and starts a new life in New York City. Not an Allen film that I particularly enjoyed, this one; mainly due to slightly annoying characters.

A Bigger Splash
Director – Luca Guadagnino | Writer – Alan Page, David Kajganich | Tilda Swinton, Matthias Schoenaerts, Ralph Fiennes {{Cinema}}

Tilda Swinton plays Marianne Lane, a world-famous rock star, who is recovering from throat surgery on an idyllic Italian island with her husband, played by Matthias Schoenaerts. Their peaceful holiday is disrupted by the arrival of Ralph Fiennes and his daughter, and the ensuing sexual tension plays out against the beautiful backdrop. Tilda Swinton is, as ever, masterful.

Along Came Polly
Director – John Hamburg | Writer – John Hamburg | Ben Stiller, Jennifer Aniston, Philip Seymour Hoffman {{Television}}

Failing to learn my lesson with Zoolander, I tried another Ben Stiller comedy. I still didn’t find it funny.

Director – Tim Miller | Writer – Rhett Reese, Paul Wernick | Ryan Reynolds, Morena Baccarin, Ed Skrein {{Cinema}}

I giggled my way through Deadpool: proof positive that I do get comedies, they just have to be funny. A superhero movie with a proper sense of humour about itself, it still managed to have a final act epic battle, but it made its way there with such aplomb and hilarity, it’s entirely forgiven.

Director – Louis Leterrier | Writer – Sacha Baron Cohen, Phil Johnston | Sacha Baron Cohen, Mark Strong, Rebel Wilson {{Cinema}}

I went to see this against my better judgement, having never been so inclined with any of Baron Cohen’s previous films. I wasn’t disappointed, because my expectations were so low. I found the whole thing almost entirely unfunny; it was crass and cheap, and I really didn’t like it. Mark Strong is so much better than this!

Ice Cold in Alex
Director – J. Lee Thompson | Writer – Christopher Landon, T.J. Morrison | John Mills, Sylvia Sims, Anthony Quayle {{Television}}

John Mills’ army captain is tasked with getting an old ambulance across the desert to Alexandria, taking two nurses, a British colleague, and a South African captain with him. The relentless heat of the Egyptian desert is the foe here, rather than enemy forces, and Mills puts in a wonderful performance as an alcoholic, battle-weary officer.

January 2016 ~ Films

January 2016

This was supposed to be a post that came at the end of January, or the beginning of February, at the very least. But here we are, much closer to the end of the month than the start. This very much sums up how my blogging has been going lately!

I watched thirteen new to me films in January; only two of them were at the cinema, which is a fairly low number for me, but various events conspired against me. The majority were watched through online streaming – either Netflix, Amazon Prime Video, or BFI Player+ (I subscribe to them all!), and the vast majority were also Woody Allen films!

A Night to Remember
Despite my brother being a huge fan, I have never watched A Night to Remember. It’s a long film, about the sinking of the Titanic, and while it’s not entirely factually correct anymore (it was made before they found the wreckage, and so depicts the ship sinking in one piece), it’s a great film. Wonderful characterisation, and a lovely performance by Kenneth Moore at its heart.

Clouds of Sils Maria
This is a film I’ve wanted to see since Kristen Stewart won critical acclaim and a Cesar award for her performance in it. It’s a very interesting film, with a distinct blurring of the lines between fiction and reality, and I think it’s one that will become even more impressive on repeat viewings. Stewart really is very good, and her chemistry with Binoche is tangible.

Midnight in Paris/Deconstructing Harry/Celebrity/Mighty Aphrodite
Prior to this year, my only experience of Woody Allen was Annie Hall (a film I need to watch again, because I don’t think I really got it the first time around). Now I’ve watched a further six (two in February), and I’m hooked! I can’t say that I’ve necessarily loved them all; Celebrity and Mighty Aphrodite weren’t really to my taste, but I loved Midnight in Paris, and found Deconstructing Harry interesting. My only complaints are thus: a) when Woody Allen stars, he casts himself as seemingly irresistible to beautiful young women, and b) when he casts someone else in the ‘Woody Allen’ role, they just do an impression of him. Kenneth Branagh in Celebrity, and Owen Wilson in Midnight in Paris are the offenders from this bunch; ether these actors are sycophantically impersonating their director, or Allen himself is narcissistic enough to direct them to do so. Either way, it’s very off-putting.

The Talented Mr Ripley
I can’t believe it took me so long to watch this film. It’s a great thriller, filmed in stunning locations, and ultimately it was a lot more violent than I expected it to be. I’ve never read any Patricia Highsmith, on whose novel the film was based, but between this, The Two Faces of January, and Carol, maybe it’s time to take a look.

There’s very little to say about Room other than that I simply loved it. If you, like me, haven’t read the book, you may be fooled into thinking that a film about an abducted woman will be full of misery. It’s not. It sounds strange to say it, but it’s a truly uplifting film, with two of the most outstanding performances I have seen in a long time. Brie Larson deserves all of the accolades she has and will be awarded, and Jacob Tremblay deserves more than he has got.

The Danish Girl
For some reason I felt reluctant to watch The Danish Girl, until I heard Eddie Redmayne speaking about it. It was a tough but enjoyable watch, and I thought both Eddie Redmayne, and in particular, Alicia Vikander were excellent.

The Day the Earth Caught Fire
A BFI Player+ gem; this is an apocalyptic film about the dangers of nuclear testing. It’s a beautifully shot film, with Edward Judd providing the charisma, and Janet Munro providing the sultry sex appeal. After Room, this was probably my favourite watch of the month.

Teacher’s Pet
It’s never a chore to watch Doris Day, though I think Gig Young has better chemistry with leading man Clark Gable in this particular film. It was good fun, and Doris looks incredible in the pencil skirts she wears.

Song of the Sea
Song of the Sea is a beautiful animation about Irish folk tales that has stayed with me, weeks after having first seen it. It’s an enchanting tale, of two children who embark on a journey home, with beautiful animation and wonderful music. It really is a joy.

Mad Max: Fury Road
I can’t pretend to have loved Mad Max. While I’m objectively aware of its inherent excellence, the actual enjoyment factor for me was on the low side. I watched it on DVD, which I’m glad about, as I think I would have found it far too intense in the cinema. The orange hues of the landscape gave me a headache, as did the incessant noise and non-stop action. I thought Furiosa was incredible, of course, and Tom Hardy is excellent as ever as Max himself. But it’s not one I’ll be rushing to rewatch.


This type of post is flawed; I watch a lot of films, meaning writing just a paragraph about a film makes for a long post. I’m toying with the idea of one-sentence reviews, but brevity has never been my strong point. I’ll have a think, and hopefully be back with a better system for February!

Mark Kermode: Live in 3D

Last night I found myself back at the BFI Southbank; for someone who hadn’t been there once prior to last November, I seem to find myself there quite a lot these days (so much so that I’ve decided to become a member as soon as I get paid). This time I had a ticket to Mark Kermode: Live in 3D, a new monthly event where the always-wonderful Dr K basically stands on stage and talks about films.

Mark Kermode Live in 3D

As this was the first event of its kind, I didn’t know what to expect, though I was sure it was going to be exceptionally entertaining. I wasn’t disappointed; Mark broke the evening up into sections that included a Q&A, Listography, Guilty Pleasures, and Sound and Vision. There was plenty of audience interaction, with Mark inviting people to try and trump his guilty pleasure of Breathless, the Jim McBride remake of À bout de souffle starring Richard Gere. Much was made of someone’s suggestion of The Rock, which I think in the end was confirmed to be the only Michael Bay film that it’s acceptable to admit to liking, and therefore ruled as not being a guilty pleasure. We also got to see Richard Gere’s bum as he sang along to Suspicious Minds.

Mark Kermode tickets

I particularly enjoyed the listography part of the evening: Mark picked ten David Bowie performances that he particularly likes, which gave him the chance to pay tribute to the great man, and that was wonderful to hear. I wish I had taken notes though – I now can’t remember all the films he mentioned, though the clip of Into the Night that he showed had me adding that to my to-watch list immediately!

The same can be said of the clip he showed right at the end of the evening. Four young girls singing and dancing to Diamonds by Rihanna completely had me under its spell, and I now find myself desperate to watch Girlhood, the French coming-of-age film that Mark loved so much from last year.

The true joy of Mark Kermode: Live in 3D was getting to hear someone I admire very much simply standing in front of me and talking about films and the film industry. Whether he’s laughing at Udo Kier thrusting a cadaver out of the screen in Flesh for Frankenstein, or sighing over Zac Efron’s old-school movie star potential (sadly going to waste, if Mark’s sighs over Dirty Grandpa are anything to go by), he’s passionate and knowledgeable, and it’s a pleasure to witness. I already have my ticket booked for February!

I was also pleased as punch to pick up a keyring in the BFI shop on my way out; when I was younger my family and I made many trips to the Museum of the Moving Image, a museum that is sadly no longer open. It’s to my great lament that this is the case – I genuinely loved that place! So when I spotted this keyring in the shop, one that my mum had on her keys for years, I had to have it!

Museum of the Moving Image