52 Films By Women 2018 ~ January, February & March

Last year I wrote about how I was trying to watch 52 films by women in 2017. I didn’t manage 52; I didn’t even manage half, finishing on 23 films that were either directed or written by women. That’s disappointing, not only because I didn’t manage to complete my goal, but also given that I watched 89 new-to-me films last year (which are the only ones I’m counting), really highlights the lack of opportunities women are given as opposed to men.

But I’m trying again in 2018, and this year, I’m even more determined to do it. Here’s what I managed in the first three months of the year.


Their Finest – Directed by Lone Scherfig, written by Gaby Chiappe

The Greatest Showman – Co-written by Jenny Bicks

Unexpected – Directed and written by Kris Swanberg

The Post – Co-written by Liz Hannah

Blackfish – Directed and written by Gabriela Cowperthwaite


The Big Sick – Co-written by Emily V. Gordon

Lady Bird – Directed and written by Greta Gerwig

Morvern Callar – Directed by Lynne Ramsey, written by Liana Dognini and Lynne Ramsey

My Feral Heart – Directed by Jane Gull

Montana – Written and directed by Limor Shmila

I’m really pleased with this run – I’m not exactly on track for 52 at the moment, but I’m getting there, and I’m just happy that I’m forcing myself to find more films that have women behind the scenes. Send me any recommendations you have for female-directed or written films!

52 Films By Women

This is the first year in a while that I haven’t set myself a target number of films to watch. It’s mainly because I was so lax around my new year blog posts, but also a little bit because sometimes it’s nice to take a break and do something a little bit different.

With that in mind, I thought this would be a good year to try the 52 Films by Women challenge. It’s been a thing for a while, and Letterboxd, where I log all of my films these days, has a lot of users who have done it before, and those who are doing it this year.

It’s quite a simple idea; it just means that for each week of the year, you watch a film by a female director. Actually, until writing this post, I had taken it to mean directed or written, which is how I’ve been playing it up until now. I will try and stick to directors for the most part, but I’m also going to continue to count writers.

Women are hugely under-represented in the film industry, and women of any colour other than white even more so. I think it’s important to strive for diversity, and the only way you can get the film industry to make anything different is to watch the films that do try something different.

We’re currently in week 16 of the year, and I’m only on ten films, so I’m a bit behind on my goal of one a week, but I’m determined to get there! Here’s what I’ve watched so far:

52 women 1

The Intervention – Written and directed by Clea DuVall
The Meddler – Written and directed by Lorene Scafaria
The To Do List – Written and directed by Maggie Carey

52 women 2

Friends With Kids – Written and directed by Jennifer Westfeldt
Country Strong – Written and directed by Shana Feste
The Love Letter – Written by Maria Maggenti
Hidden Figures – Co-written by Allison Schroeder

52 women 3

Adult Life Skills – Written and directed by Rachel Tunnard
Free Fire – Co-written by Amy Jump
Fifty Shades of Grey – Directed by Sam Taylor Johnson, written by Kelly Marcel

Have you watched any female directed/written films recently? Send me your recommendations!

February 2016 ~ Films

January 2016

I’m very behind with my end of month posts for February! But here’s my roundup of the films I saw, I’m trying something slightly different this time.

What Richard Did
Director – Lenny Abrahamson | Writer – Malcolm Campbell | Jack Reynor, Roisin Murphy, Lars Mikkelsen {{Television}}

An emotional drama that is slow to build to a crescendo, but packs a powerful punch when it does. Great performances from a young cast whose assured direction from Lenny Abrahamson produces a memorable film that has stayed with me in the weeks since I watched it.

Director – Tom McCarthy | Writer – Tom McCarthy, Josh Singer | Mark Ruffalo, Michael Keaton, Rachel McAdams {{Cinema}}

This is a gripping film, focused on the real life events about the Boston Globe’s investigation into the abuse of children at the hands of catholic priests. Thoroughly deserving of its recent Oscar win for best film, it’s my favourite film of 2016 so far, with, for me, a standout performance by Liev Schreiber, whose quiet determination shines against more exuberant performances by the likes of Mark Ruffalo.

Director – Céline Sciamma | Writer – Céline Sciamma | Karidja Touré, Assa Sylla, Lindsay Karamoh, Mariétou Touré {{Amazon Video}}

Having only previously seen a short clip – of four young French girls dancing and lip syncing to Diamonds by Rihanna – my interest was thoroughly piqued by Girlhood, and I was not disappointed. Marieme is a young woman who, when her academic options are curtailed, finds herself seeking solace with a gang of girls. Karidja Touré is a wonder as Marieme, and that Rihanna scene is quite simply perfect.

You Will Meet a Tall Dark Stranger
Director – Woody Allen | Writer – Woody Allen | Anthony Hopkins, Gemma Jones, Naomi Watts {{Amazon Video}}

I’ve watched a lot of Allen films so far this year, but this one has already passed from my memory. Set in London, the narrative focuses on a single family, recently separated Anthony Hopkins and Gemma Jones, and their daughter and her husband, Naomi Watts and Josh Brolin. Unfortunately, it’s just totally unremarkable, though I always enjoy Lucy Punch, no matter what she’s doing.

Dad’s Army
Director – Oliver Parker | Writer – Hamish McColl | Toby Jones, Bill Nighy, Catherine Zeta-Jones {{Cinema}}

There’s no doubt that in my mind that this, a film based on the much-loved sitcom from the 60s and 70s, was made with love, rather than a cynical cash-grab. But it just doesn’t really work for me; it’s not that funny, the story meanders all over the place, and its only saving grace is the genius of Toby Jones in everything he does, and the swoon-worthy sophistication of Bill Nighy.

Director – Ben Stiller | Writer – Drake Sather, Ben Stiller, John Hamburg | Ben Stiller, Owen Wilson, Christine Taylor {{Netflix}}

It’s time for me to accept that I shouldn’t watch comedies just because they are considered funny by the rest of the world at large. I didn’t laugh once at Zoolander; I’m sure that a story about a male model being brainwashed to assassinate a world leader is funny, I just didn’t get it.

Pride and Prejudice and Zombies
Director – Burr Steers | Writer – Burr Steers | Lily James, Sam Riley, Jack Huston {{Cinema}}

This is a silly film, there’s no doubt about it. I doesn’t take itself particularly seriously, and ultimately, it is a lot of nonsense. But I can’t pretend I didn’t have fun watching it. In all honesty, I will watch Pride and Prejudice in just about any form, because it makes me laugh, and I love Elizabeth Bennet.

The Revenant
Director – Alejandro G. Inarritu | Writer – Mark L. Smith, Alejandro G. Inarritu | Leonardo Di Caprio, Tom Hardy, Domhnall Gleeson {{Cinema}}

Hugh Glass, played by Leonardo Di Caprio, is left for dead after he is mauled by a bear. The Revenant follows his journey across the wilderness as he fights for survival. There’s no better word to describe this film than ‘visceral’. It pulls no punches, and the stunning cinematography makes it a joy to watch.

Melinda and Melinda
Director – Woody Allen | Writer – Woody Allen | Radha Mitchell, Chloë Sevigny, Jonny Lee Miller {{Amazon Video}}

A debate between two intellectuals about comedy vs tragedy gives us the dual stories of Melinda, played by Radha Mitchell. In one narrative her unravelling life and neuroses play out tragically, while in the other, she plays them to her advantage, and starts a new life in New York City. Not an Allen film that I particularly enjoyed, this one; mainly due to slightly annoying characters.

A Bigger Splash
Director – Luca Guadagnino | Writer – Alan Page, David Kajganich | Tilda Swinton, Matthias Schoenaerts, Ralph Fiennes {{Cinema}}

Tilda Swinton plays Marianne Lane, a world-famous rock star, who is recovering from throat surgery on an idyllic Italian island with her husband, played by Matthias Schoenaerts. Their peaceful holiday is disrupted by the arrival of Ralph Fiennes and his daughter, and the ensuing sexual tension plays out against the beautiful backdrop. Tilda Swinton is, as ever, masterful.

Along Came Polly
Director – John Hamburg | Writer – John Hamburg | Ben Stiller, Jennifer Aniston, Philip Seymour Hoffman {{Television}}

Failing to learn my lesson with Zoolander, I tried another Ben Stiller comedy. I still didn’t find it funny.

Director – Tim Miller | Writer – Rhett Reese, Paul Wernick | Ryan Reynolds, Morena Baccarin, Ed Skrein {{Cinema}}

I giggled my way through Deadpool: proof positive that I do get comedies, they just have to be funny. A superhero movie with a proper sense of humour about itself, it still managed to have a final act epic battle, but it made its way there with such aplomb and hilarity, it’s entirely forgiven.

Director – Louis Leterrier | Writer – Sacha Baron Cohen, Phil Johnston | Sacha Baron Cohen, Mark Strong, Rebel Wilson {{Cinema}}

I went to see this against my better judgement, having never been so inclined with any of Baron Cohen’s previous films. I wasn’t disappointed, because my expectations were so low. I found the whole thing almost entirely unfunny; it was crass and cheap, and I really didn’t like it. Mark Strong is so much better than this!

Ice Cold in Alex
Director – J. Lee Thompson | Writer – Christopher Landon, T.J. Morrison | John Mills, Sylvia Sims, Anthony Quayle {{Television}}

John Mills’ army captain is tasked with getting an old ambulance across the desert to Alexandria, taking two nurses, a British colleague, and a South African captain with him. The relentless heat of the Egyptian desert is the foe here, rather than enemy forces, and Mills puts in a wonderful performance as an alcoholic, battle-weary officer.

January 2016 ~ Films

January 2016

This was supposed to be a post that came at the end of January, or the beginning of February, at the very least. But here we are, much closer to the end of the month than the start. This very much sums up how my blogging has been going lately!

I watched thirteen new to me films in January; only two of them were at the cinema, which is a fairly low number for me, but various events conspired against me. The majority were watched through online streaming – either Netflix, Amazon Prime Video, or BFI Player+ (I subscribe to them all!), and the vast majority were also Woody Allen films!

A Night to Remember
Despite my brother being a huge fan, I have never watched A Night to Remember. It’s a long film, about the sinking of the Titanic, and while it’s not entirely factually correct anymore (it was made before they found the wreckage, and so depicts the ship sinking in one piece), it’s a great film. Wonderful characterisation, and a lovely performance by Kenneth Moore at its heart.

Clouds of Sils Maria
This is a film I’ve wanted to see since Kristen Stewart won critical acclaim and a Cesar award for her performance in it. It’s a very interesting film, with a distinct blurring of the lines between fiction and reality, and I think it’s one that will become even more impressive on repeat viewings. Stewart really is very good, and her chemistry with Binoche is tangible.

Midnight in Paris/Deconstructing Harry/Celebrity/Mighty Aphrodite
Prior to this year, my only experience of Woody Allen was Annie Hall (a film I need to watch again, because I don’t think I really got it the first time around). Now I’ve watched a further six (two in February), and I’m hooked! I can’t say that I’ve necessarily loved them all; Celebrity and Mighty Aphrodite weren’t really to my taste, but I loved Midnight in Paris, and found Deconstructing Harry interesting. My only complaints are thus: a) when Woody Allen stars, he casts himself as seemingly irresistible to beautiful young women, and b) when he casts someone else in the ‘Woody Allen’ role, they just do an impression of him. Kenneth Branagh in Celebrity, and Owen Wilson in Midnight in Paris are the offenders from this bunch; ether these actors are sycophantically impersonating their director, or Allen himself is narcissistic enough to direct them to do so. Either way, it’s very off-putting.

The Talented Mr Ripley
I can’t believe it took me so long to watch this film. It’s a great thriller, filmed in stunning locations, and ultimately it was a lot more violent than I expected it to be. I’ve never read any Patricia Highsmith, on whose novel the film was based, but between this, The Two Faces of January, and Carol, maybe it’s time to take a look.

There’s very little to say about Room other than that I simply loved it. If you, like me, haven’t read the book, you may be fooled into thinking that a film about an abducted woman will be full of misery. It’s not. It sounds strange to say it, but it’s a truly uplifting film, with two of the most outstanding performances I have seen in a long time. Brie Larson deserves all of the accolades she has and will be awarded, and Jacob Tremblay deserves more than he has got.

The Danish Girl
For some reason I felt reluctant to watch The Danish Girl, until I heard Eddie Redmayne speaking about it. It was a tough but enjoyable watch, and I thought both Eddie Redmayne, and in particular, Alicia Vikander were excellent.

The Day the Earth Caught Fire
A BFI Player+ gem; this is an apocalyptic film about the dangers of nuclear testing. It’s a beautifully shot film, with Edward Judd providing the charisma, and Janet Munro providing the sultry sex appeal. After Room, this was probably my favourite watch of the month.

Teacher’s Pet
It’s never a chore to watch Doris Day, though I think Gig Young has better chemistry with leading man Clark Gable in this particular film. It was good fun, and Doris looks incredible in the pencil skirts she wears.

Song of the Sea
Song of the Sea is a beautiful animation about Irish folk tales that has stayed with me, weeks after having first seen it. It’s an enchanting tale, of two children who embark on a journey home, with beautiful animation and wonderful music. It really is a joy.

Mad Max: Fury Road
I can’t pretend to have loved Mad Max. While I’m objectively aware of its inherent excellence, the actual enjoyment factor for me was on the low side. I watched it on DVD, which I’m glad about, as I think I would have found it far too intense in the cinema. The orange hues of the landscape gave me a headache, as did the incessant noise and non-stop action. I thought Furiosa was incredible, of course, and Tom Hardy is excellent as ever as Max himself. But it’s not one I’ll be rushing to rewatch.


This type of post is flawed; I watch a lot of films, meaning writing just a paragraph about a film makes for a long post. I’m toying with the idea of one-sentence reviews, but brevity has never been my strong point. I’ll have a think, and hopefully be back with a better system for February!

140 Films in 2015

For the last few years, I have set myself a goal to watch 52 films each year. Obviously, this works out at one film a week, which, when I started doing this, felt realistic, and something that would help me watch more new-to-me films, instead of endless rewatches.

In 2014 I surpassed that total, ending up on 73, but I kept the goal of 52 the same, because I didn’t want to set an unrealistic target and then fail to meet it. As you can tell from the title of this post, I ended up watching nearly three times as many as I wanted to, finishing the year on 140! Even to me, that’s a fairly astonishing total, especially given that when I first started logging my films, in 2011, I finished on 30!

With so many films to consider, it was hard to make a collage that showed them all properly without it overtaking the whole post, so here’s what my 2015 in films looks like.


  • In terms of how I watched the 140, it’s a pretty even split between the cinema (52) and online streaming (57). My cinema total has gone up massively due to having an Cineworld Unlimited card for the first time, and it actually works out at one a week, which is good going. The remaining films were either DVD (12), television (15), or iPlayer (3).
  • I have actually taken the time to work out which actors are my most watched this year! This has taken a fair amount of work, but it’s something I’ve really enjoyed doing. My most watched male actors were Vin Diesel and Oscar Isaac, both coming in at seven a piece. The runaway winner for the females looked like being Jordana Brewster for a while (darn that Fast and Furious marathon), but ended up being Allison Janney, with six.
  • I also worked out my most watched director (Steven Spielberg), and my most watched screenwriter (Chris Morgan – he of Fast and Furious fame).
  • I wanted to do a separate post for my favourite new releases of 2015, but it didn’t happen, so here they are, in no particular order: Inside Out, Ex Machina, The Martian, Carol and Brooklyn.
  • In terms of older releases, my favourites that I watched in 2015 were: The Way, Way Back, Spellbound, Begin Again, Chef and School of Rock (which I can’t believe it took me so long to watch in full!).
  • As always, there are very few on the list that I didn’t enjoy, as I’m pretty good by now at knowing what I will like. But the humour of Wet Hot American Summer went right over my head – I didn’t get it at all. And the worst film I watched at the cinema was The Last Witch Hunter. If I hadn’t bothered with it, Oscar Isaac would have won most-watched actor outright.

That may seem like a little bit too much work in terms of analysing my film watching. But I honestly enjoy all of this almost as much as I enjoy the films themselves!

I tried to keep up with writing a small amount on each film for the blog this year, but it didn’t work, and it won’t work any better next year, as I intend to watch more films. But I am starting to use Letterboxd more, and I’m hoping to log each film for 2016 there, along with a couple of sentences giving my thoughts on each one. If you’d like to, you can follow me here.

Do you set yourself film goals? What are you aiming for in 2016?